The Human Touch: Pretty Woman Grows Up
I recently wrote in passing about a romantic comedy from the very final days of the previous millennium, which reunited director Garry Marshall with his very successful old leads Julia Roberts and Richard Gere. Even more recently, I was watching the original flagship movie, Pretty Woman, and a lot of things sprang to mind. Like Focusing mainly on Vivian’s point of view, the story of Pretty Woman morphs early on into a stylized, granted, PG, version of An American Pillow Book for the lady into the intricacies of the art of subtle, understated seduction of a man. Like Instead of bringing the hammer down about such notions as the story’s implicit go-ahead for buying people and treating others like merchandise, and the shallow presentation of values and what is considered the good life, I think interpreting Pretty Woman as a story of the transformative power of the human touch and finding sexual freedom at any age, and through it, individual freedom, a clearer sense of identity, and contin...